Originally written for two-mallets, and included in Challenge 1, a collection of solo marimba pieces, Claudio Santangelo arranges this piece by Dr. Earl Hatch for marimba/vibraphone trio.
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$25.00 – $28.00
Furioso and Valse (Earl Hatch/Marimba Trio arr. Claudio Santangelo)
One of Hatch’s most popular pieces, now arranged for marimba/vibraphone trio.
Difficulty | Advanced |
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Performance Type | Arrangement/Transcription |
Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
Challenge 1
$15.00 – $17.00This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
Furioso and Valse (Earl Hatch/4-mallet arr. Claudio Santangelo)
$18.00 – $20.00One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
Themes and Variations on Japanese Children’s Songs
$14.00 – $15.00Great for the intermediate marimbist, ‘Theme and Variations’ uses a variety of styles and present a variety of problems, for both two and four mallets, making the piece pedagogically useful, as well as great fun to play and delightful to hear.
Great for the intermediate marimbist, ‘Theme and Variations’ uses a variety of styles and present a variety of problems, for both two and four mallets, making the piece pedagogically useful, as well as great fun to play and delightful to hear.
Furioso and Valse (Earl Hatch/4-mallet arr. Claudio Santangelo)
$18.00 – $20.00One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
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Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
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