(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult.
9 minutes.
of this piece.
$40.00
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
The eight etudes from Becker’s snare drum text Rudimental Arithmetic are now available in its own collection. Includes original program and performance notes, with translations in German, French, and Japanese.
The eight etudes from Becker’s snare drum text Rudimental Arithmetic are now available in its own collection. Includes original program and performance notes, with translations in German, French, and Japanese.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.
(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult.
9 minutes.
of this piece.
Difficulty | Advanced |
---|---|
Performance Type | 3-5 Players |
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.