Jerry-Rigged
$8.00 – $9.00A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
Showing 41–60 of 100 results
Showing 41–60 of 100 results
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
For four marimbist on two marimbas w/ optional percussion accompaniment. Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
For four marimbist on two marimbas w/ optional percussion accompaniment. Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.
A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.
Simple and short (142 measures), yet beautifully written. 5.0 octave marimba required.
Simple and short (142 measures), yet beautifully written. 5.0 octave marimba required.
“The variety of materials in each section make this a worthy composition, which is well within the level of an advanced high school or young undergraduate student.”-Percussive NotesThe composer’s taste for consonance and dissonance is evidenced by his playful bantering between pentatonic, chromatic, minor and major. Agogic and dynamic accents enhance colorful pops of dissonance that permeate the otherwise tonal realm and contribute to the intensity and forward movement. This piece ends where it began, with a finishing touch.
“The variety of materials in each section make this a worthy composition, which is well within the level of an advanced high school or young undergraduate student.”-Percussive NotesThe composer’s taste for consonance and dissonance is evidenced by his playful bantering between pentatonic, chromatic, minor and major. Agogic and dynamic accents enhance colorful pops of dissonance that permeate the otherwise tonal realm and contribute to the intensity and forward movement. This piece ends where it began, with a finishing touch.
The Marimba Etudes are designed for the intermediate marimbist to work on several aspects of technique which are necessary to develop before proceeding to more advanced work.
The Marimba Etudes are designed for the intermediate marimbist to work on several aspects of technique which are necessary to develop before proceeding to more advanced work.
The contrasting four movements of this suite are unified by the use of a formal device in which a short amount of material is repeated four times.
The contrasting four movements of this suite are unified by the use of a formal device in which a short amount of material is repeated four times.
This solo piece is an exploration of the marimba’s unique sound. Can be played on a 4.3 marimba, but there is an optional ending requiring a 5.0.
This solo piece is an exploration of the marimba’s unique sound. Can be played on a 4.3 marimba, but there is an optional ending requiring a 5.0.
The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.
The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.
A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes
A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes
Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.
Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.
Each of the seven movements is a depiction of a character from the composer’s family album. The piece requires seven players, each taking turns reading text while the others perform the associated music.
Each of the seven movements is a depiction of a character from the composer’s family album. The piece requires seven players, each taking turns reading text while the others perform the associated music.
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.