Showing 21–40 of 46 results
Showing 21–40 of 46 results
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.
“One of the best new pieces of marimba solo literature to come along in years, this piece has the musical credentials to stand next to the best tonally-oriented works for solo instruments.” – Percussive Notes
“One of the best new pieces of marimba solo literature to come along in years, this piece has the musical credentials to stand next to the best tonally-oriented works for solo instruments.” – Percussive Notes
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.
A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.
A dramatic and technically challenging work for unaccompanied four-mallet marimba. The study and mastery of Clair Omar Musser’s preludes is considered to be a “right of passage” into technical competence.
A dramatic and technically challenging work for unaccompanied four-mallet marimba. The study and mastery of Clair Omar Musser’s preludes is considered to be a “right of passage” into technical competence.
These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.
These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
A great introduction to many of the modern marimba techniques such as double lateral strokes. A short, sweet, and high quality “groove” piece influenced by minimalism.
A great introduction to many of the modern marimba techniques such as double lateral strokes. A short, sweet, and high quality “groove” piece influenced by minimalism.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
As the title suggests, it is a musical depiction of the warning bumps or grooves often found on roadways. With its two-movement format of slow-fast, it could serve as an alternative program selection to Merlin.
As the title suggests, it is a musical depiction of the warning bumps or grooves often found on roadways. With its two-movement format of slow-fast, it could serve as an alternative program selection to Merlin.
Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.
Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.
A classic work from one of the most influential figures in percussion history. Marimba solo with piano accompaniment.
A classic work from one of the most influential figures in percussion history. Marimba solo with piano accompaniment.
This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.
This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.
An energetic piece for solo marimba/vibraphone and electronics.
An energetic piece for solo marimba/vibraphone and electronics.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.
An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.