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Showing 17–32 of 74 results
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Showing 17–32 of 74 results
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Erlkonig (Schubert/arr. Michael Baker)
$9.00Erlkonig is perhaps the best known of Franz Schubert’s songs. Inspired by a guitar version of the piano accompaniment, Baker has arranged it to be played on a 4.6 marimba. The sound of the marimba is perfect for this dark, haunting composition. For low voice and marimba.
Erlkonig is perhaps the best known of Franz Schubert’s songs. Inspired by a guitar version of the piano accompaniment, Baker has arranged it to be played on a 4.6 marimba. The sound of the marimba is perfect for this dark, haunting composition. For low voice and marimba.
Etude in Ab Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)
$18.00Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Finale: Symphony No.41 in C Major (K.551) (Mozart/arr. Gordon Peters)
$48.00No. 8 of the Gordon peters Library from the Gordon Peters Ensemble Series Percussion ensemble piece for Xylophone, Five Marimba and Double Bass
No. 8 of the Gordon peters Library from the Gordon Peters Ensemble Series Percussion ensemble piece for Xylophone, Five Marimba and Double Bass
Flight of the Bumble-Bee (Rimsky-Korsakov/arr. Max Leth)
$12.00 – $14.00Arranged for marimba duo on one instrument
Arranged for marimba duo on one instrument
Fluffy Ruffles (G.H.Green/arr. William Cahn)
$19.00 – $22.00From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Frivolity (G.H.Green/arr. William Cahn)
$20.00From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Furioso and Valse (Earl Hatch/Marimba Trio arr. Claudio Santangelo)
$25.00One of Hatch’s most popular pieces, now arranged for marimba/vibraphone trio.
One of Hatch’s most popular pieces, now arranged for marimba/vibraphone trio.
Gigue and Double (J.S. Bach/arr. Andrea Venet)
$17.00 – $20.00Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Hummingbird, The (G.H. Green/arr. Bob Becker)
$19.00 – $22.00The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Hungarian Dance No.5 (Brahms/arr. Gordon Peters)
$20.00No. 18 of the Gordon Peters Library from the Gordon Peters Ensemble Series Percussion ensemble for Xylophone, Five Marimba and Double Bass
No. 18 of the Gordon Peters Library from the Gordon Peters Ensemble Series Percussion ensemble for Xylophone, Five Marimba and Double Bass
Ida/Some Of These Days Medley (Xylo + 5 Mar) (Munson, Leonard, Brooks/arr. Jonathan Singer)
$39.00The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra and arranges it for solo xylophone with marimba band accompaniment.
The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra and arranges it for solo xylophone with marimba band accompaniment.
In Sweet September (James Monaco/arr. Yurika Kimura)
$21.00 – $24.00In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.