Chamber/Ensemble

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Different But One Body

$38.00
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For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.

For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.

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Dining Room Music

$15.00
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Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….

Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….

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Diptych No. 4

$20.00
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Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

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Dotty Dimples (G.H.Green/arr. William Cahn)

$19.00 – $22.00
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From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

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Echoes

$40.00
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This percussion quartet won 2nd place in the 2004 Percussive Arts Society Composition Contest. It is sure to excite players and audiences around the globe and has already been performed by Northernwestern University and Rutgers University.

This percussion quartet won 2nd place in the 2004 Percussive Arts Society Composition Contest. It is sure to excite players and audiences around the globe and has already been performed by Northernwestern University and Rutgers University.

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Erlkonig (Schubert/arr. Michael Baker)

$9.00
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Erlkonig is perhaps the best known of Franz Schubert’s songs. Inspired by a guitar version of the piano accompaniment, Baker has arranged it to be played on a 4.6 marimba. The sound of the marimba is perfect for this dark, haunting composition. For low voice and marimba.

Erlkonig is perhaps the best known of Franz Schubert’s songs. Inspired by a guitar version of the piano accompaniment, Baker has arranged it to be played on a 4.6 marimba. The sound of the marimba is perfect for this dark, haunting composition. For low voice and marimba.

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Etude in Ab Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$18.00
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Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura

Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura

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