Showing 81–96 of 96 results
Showing 81–96 of 96 results
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
A PAS prize-winning composition for solo multi-percussion and percussion quartet.
A PAS prize-winning composition for solo multi-percussion and percussion quartet.
This award-winning composition for soprano, tenor, and marimba is set as a “poetry reading” of the anti-war poem by Langston Hughes. Written for a low E instrument, optional notes have been supplied for adaptation to a 4.3.
This award-winning composition for soprano, tenor, and marimba is set as a “poetry reading” of the anti-war poem by Langston Hughes. Written for a low E instrument, optional notes have been supplied for adaptation to a 4.3.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Ensemble for horn and percussion octet.
Ensemble for horn and percussion octet.
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.
Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.
For marimba, clarinet, and string bass – a surprisingly fresh sound combination. This rhythmically and harmonically exciting work provides a fun challenge to all involved.
For marimba, clarinet, and string bass – a surprisingly fresh sound combination. This rhythmically and harmonically exciting work provides a fun challenge to all involved.
