Marimba

Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Acquiescent Blues

$34.00$40.00

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Adventures of Ivan (Khachaturian/arr. Leigh Howard Stevens)

$14.00$17.00

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Alabama Moon (by G.H. Green/arr. Becker/Kimura)

$21.00$24.00

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Album for the Young (Tschaikovsky/arr. Leigh Howard Stevens)

$17.00$20.00

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Album for the Young I (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Album for the Young II (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Ameline (Marimba/Clarinet Duo)

$21.00$24.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Ameline (Marimba/Vibraphone Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Select options This product has multiple variants. The options may be chosen on the product page
Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Ameline (Marimba/Violin Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

Select options This product has multiple variants. The options may be chosen on the product page
Intermediate
Select options This product has multiple variants. The options may be chosen on the product page

Asturias (Albeniz/arr. Leigh Howard Stevens)

$11.00$13.00

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

Select options This product has multiple variants. The options may be chosen on the product page
1 2 7