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$11.00 – $13.00

Asturias (Albeniz/arr. Leigh Howard Stevens)

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

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Photo Credit: Matt Owen

Meet Leigh Howard Stevens



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Beads of Glass (Recording)

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Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.

Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.

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Great Wall (Recording)

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This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.

This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.

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Suite for Marimba (Recording)

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Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.

Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.

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This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232. Some of the subtle detail, like the split octaves in the middle section restore the eery, haunting quality which is lost in the popular guitar versions.

Difficulty

Intermediate
Performance Type

Arrangement/Transcription
Delivery Method

Print Copy, PDF Download, Print & PDF Versions

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Kaleiduoscope

$29.00 – $33.00
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Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.

Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.

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Method of Movement

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The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.

The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.

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Charleston Capers (G.H. Green/arr. Bob Becker)

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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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