Showing 177–189 of 189 results
Showing 177–189 of 189 results
An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.
An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.
A standard in the percussion community. This work has been recorded and performed in recital many time over. Both movements may be played in conjunction or independently.
A standard in the percussion community. This work has been recorded and performed in recital many time over. Both movements may be played in conjunction or independently.
Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.
Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.
This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands.
This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands.
Plenty of musical challenges await the player in the guise of an intermediate level work. Six variations follow the theme. The variety of textures makes this work a great study piece as well as a delight for the audience.
Plenty of musical challenges await the player in the guise of an intermediate level work. Six variations follow the theme. The variety of textures makes this work a great study piece as well as a delight for the audience.
The metrical and stylistic treatment Chen gives this traditional Chinese melody is sure to captivate any audience. Independent rolls and great overall coordination required. Can be played on a 4.6 octave instrument.
The metrical and stylistic treatment Chen gives this traditional Chinese melody is sure to captivate any audience. Independent rolls and great overall coordination required. Can be played on a 4.6 octave instrument.
A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.
A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.
For keyboard percussion soloist with piano accompaniment
For keyboard percussion soloist with piano accompaniment
It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.
It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.