Showing 177–192 of 224 results
Showing 177–192 of 224 results
“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News
“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
An interesting three-movement work that puts the player through various musical styles. The first movement is rhythmic and fast . The second movement is soft and flowing in a chorale style. The last movement is a study in changing meters.
An interesting three-movement work that puts the player through various musical styles. The first movement is rhythmic and fast . The second movement is soft and flowing in a chorale style. The last movement is a study in changing meters.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity.
A four-movement piece for solo marimba
A four-movement piece for solo marimba
This solo for the advanced marimbist is in four movements. It contains the famous “Piece for Marimba” (mvt. 2), as recorded by Gordon Stout (“Music for Solo Marimba”). Each movement is in a contrasting style, making this an ideal recital work. 4.3 marimba is required.
This solo for the advanced marimbist is in four movements. It contains the famous “Piece for Marimba” (mvt. 2), as recorded by Gordon Stout (“Music for Solo Marimba”). Each movement is in a contrasting style, making this an ideal recital work. 4.3 marimba is required.
This energetic piece gives marimbists the opportunity to show off their octaves, as they permeate the wild and sometimes “raucous” texture. There are also plenty of opportunities to exercise musical expression, especially during the chorale.
This energetic piece gives marimbists the opportunity to show off their octaves, as they permeate the wild and sometimes “raucous” texture. There are also plenty of opportunities to exercise musical expression, especially during the chorale.
For solo marimba with piano accompaniment
For solo marimba with piano accompaniment
An evocative short, somewhat virtuositic work which is great as a change of pace in a recital program or as an encore. Programmatically depicts the flight and demise of a butterfly. Very effective.
An evocative short, somewhat virtuositic work which is great as a change of pace in a recital program or as an encore. Programmatically depicts the flight and demise of a butterfly. Very effective.
An energetic piece for solo marimba/vibraphone and electronics.
An energetic piece for solo marimba/vibraphone and electronics.
This single-movement programmatic work for solo marimba is a depiction of “the daily activities in the precarious life of the kudu”, a type of antelope which dwells on the plains of Africa. From serene rubatos to panicked obligatos and running ostinatos, this piece promises adventure.
This single-movement programmatic work for solo marimba is a depiction of “the daily activities in the precarious life of the kudu”, a type of antelope which dwells on the plains of Africa. From serene rubatos to panicked obligatos and running ostinatos, this piece promises adventure.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!
The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!
