Marimba

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Marimba Quartet

$60.00
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This work is an unsung hero of the marimba quartet literature. It has not gotten its well-deserved circulation through the percussion community because it was unavailable for so long.Now available in a clearly engraved edition with single sheet 11 x 17 inch parts with a spiral-bound score.

This work is an unsung hero of the marimba quartet literature. It has not gotten its well-deserved circulation through the percussion community because it was unavailable for so long.Now available in a clearly engraved edition with single sheet 11 x 17 inch parts with a spiral-bound score.

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STEVENS-BMS-EXCERPT
Solos Arrangement/Transcription
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Mini Suite III (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

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Musetta’s Waltz (Puccini/arr. Eric Sammut)

$17.00 – $20.00
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Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

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Prelude and Fugue in B-flat Major (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

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Prelude in G Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$17.00 – $20.00
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It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

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Sonata in A Minor (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

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Sonata in B Minor (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

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Sonata in D Minor (J.S. Bach/arr. Nathaniel Bartlett)

$12.00
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Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.

Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.

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