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Mini Suite III (Bach/arr. Leigh Howard Stevens)

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

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Mini Suite III (Bach/arr. Leigh Howard Stevens) Recording

Recording of an excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

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I put together this selection of movements from Bach’s third suite for Violoncello solo, BWV 1009, in a kind of “concession” to modern times.  Decades ago, I used to open my recitals with a complete Bach Sonata or Partita, which could be challenging, especially for those attending a solo marimba recital for the first time.  This “Mini-Suite” (three movements of the C-Major Cello Suite) takes about twelve minutes, which fits nicely into any full recital program of mixed repertoire.

The marimba is a superb instrument for the performance of polyphonic baroque music.  Not only is the ring of a marimba bar similar to a lute, the range of the modern marimba happens to start on the same bottom pitch as the cello.  Coincidence . . . or destiny?  It’s not much of a stretch to say that if Bach had heard a modern, “well-tempered marimba,” he might have composed music for it.

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Delivery Method

Print Copy, PDF Download, Print & PDF Versions

Performance Type

Solo, Arrangement/Transcription

Difficulty

Advanced