Marimba

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In Sweet September (James Monaco/arr. Yurika Kimura)

$21.00 – $24.00
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In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

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STEVENS-BMS-EXCERPT
Solos Arrangement/Transcription
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Mini Suite III (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

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Musetta’s Waltz (Puccini/arr. Eric Sammut)

$17.00 – $20.00
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Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

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Prelude and Fugue in B-flat Major (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

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Prelude in G Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$17.00 – $20.00
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It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

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Intermediate
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Preludium in G Minor (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.

This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.

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