Showing 65–80 of 96 results
Showing 65–80 of 96 results
J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.
J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.
It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura
It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura
For solo xylophone with marimba (2 players) or piano accompaniment
For solo xylophone with marimba (2 players) or piano accompaniment
Butov has written a delightful xylophone solo, in rag style but with slightly more contemporary harmonies than the standard rags.
Butov has written a delightful xylophone solo, in rag style but with slightly more contemporary harmonies than the standard rags.
Serenade for Two tells a story through three sections of interplay between a marimba and clarinet.
Serenade for Two tells a story through three sections of interplay between a marimba and clarinet.
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.
“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.
This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.
This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.
Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.
Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.
Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.
Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.
A beautiful transcription of the ever popular second movement of Beethoven’s piano sonata. Complete with varied roll notation and stickings, Legendre’s work makes this piece easily accessible to the accomplished four-mallet marimbist. A 5.0 octave instrument and versatile technique are required.
A beautiful transcription of the ever popular second movement of Beethoven’s piano sonata. Complete with varied roll notation and stickings, Legendre’s work makes this piece easily accessible to the accomplished four-mallet marimbist. A 5.0 octave instrument and versatile technique are required.
Arranged for marimba quartet
Arranged for marimba quartet
