Showing 1–16 of 44 results
Showing 1–16 of 44 results
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Stout’s third work for marimba orchestra, featuring two marimba soloists.
Stout’s third work for marimba orchestra, featuring two marimba soloists.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
