Showing 241–260 of 355 results
Showing 241–260 of 355 results
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
The Rivers Music School in Boston commissioned this piece for the 22nd Annual Seminar on Contemporary Music for the Young. It was composed with an advanced young player in mind, but is musically sophisticated enough to be performed by college level players also.
The Rivers Music School in Boston commissioned this piece for the 22nd Annual Seminar on Contemporary Music for the Young. It was composed with an advanced young player in mind, but is musically sophisticated enough to be performed by college level players also.
Rosewood Dreaming was composed for a marimba soloist with a number of performance options intended.
Rosewood Dreaming was composed for a marimba soloist with a number of performance options intended.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
This arrangement of Eric Sammut’s Rotation 1 by Andrea Venet is for a percussion ensemble of 10-14 players. The arrangement is a fun, relatively short work for large percussion ensemble that would fit well in any percussion ensemble concert and could be performed by advanced high school and college percussion programs.
This arrangement of Eric Sammut’s Rotation 1 by Andrea Venet is for a percussion ensemble of 10-14 players. The arrangement is a fun, relatively short work for large percussion ensemble that would fit well in any percussion ensemble concert and could be performed by advanced high school and college percussion programs.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers: catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers: catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
Commissioned by the 2009 Paris International Marimba Competition and its director, Frederic Macarez, Rounders uses sudden meter change and rhythmic syncopation to mimic the sensation of “rounding” the corners of […]
What does arithmetic have to do with snare drum rudiments and rhythm? At a fundamental level, the answer is: everything. Includes over 30 pages of exercises and 8 very challenging solo etudes.
What does arithmetic have to do with snare drum rudiments and rhythm? At a fundamental level, the answer is: everything. Includes over 30 pages of exercises and 8 very challenging solo etudes.
As the title suggests, it is a musical depiction of the warning bumps or grooves often found on roadways. With its two-movement format of slow-fast, it could serve as an alternative program selection to Merlin.
As the title suggests, it is a musical depiction of the warning bumps or grooves often found on roadways. With its two-movement format of slow-fast, it could serve as an alternative program selection to Merlin.
Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.
Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.
Composed by Handel, arranged for marimba by Naoko Takada
Composed by Handel, arranged for marimba by Naoko Takada
A classic work from one of the most influential figures in percussion history. Marimba solo with piano accompaniment.
A classic work from one of the most influential figures in percussion history. Marimba solo with piano accompaniment.
This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.
This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.
a profound and beautiful major work for 5 octave marimba that really utilizes the full range. Commissioned by Robert VanSice.
a profound and beautiful major work for 5 octave marimba that really utilizes the full range. Commissioned by Robert VanSice.
Serenade for Two tells a story through three sections of interplay between a marimba and clarinet.
Serenade for Two tells a story through three sections of interplay between a marimba and clarinet.
Serving as an incredible vehicle for improvisation studies for both students and teachers, Seven Songs for Vibraphone is a diverse collection of performance-ready songs, each written in a different style and purposefully designed to highlight specific musical and technical concepts. While educational in nature, the songs are still relatable and fun and can be performed anywhere from street to stage. Supplemental practices material from contributing editor Andrew Richardson enrich the book with a wealth of knowledge giving players the freedom to express and improvise effortlessly.
Serving as an incredible vehicle for improvisation studies for both students and teachers, Seven Songs for Vibraphone is a diverse collection of performance-ready songs, each written in a different style and purposefully designed to highlight specific musical and technical concepts. While educational in nature, the songs are still relatable and fun and can be performed anywhere from street to stage. Supplemental practices material from contributing editor Andrew Richardson enrich the book with a wealth of knowledge giving players the freedom to express and improvise effortlessly.
Comprised of five sections, Sevenly Reward is a multi percussion solo piece for drum-kit.
Comprised of five sections, Sevenly Reward is a multi percussion solo piece for drum-kit.
