Ameline (Marimba/Violin Duo)
$30.00 – $35.00Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Showing 17–32 of 304 results
Showing 17–32 of 304 results
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
A compilation of British and American drum beatings written for one or more of both fife and drum.
A compilation of British and American drum beatings written for one or more of both fife and drum.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Music from Four-Mallet Ballet
Music from Four-Mallet Ballet
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.