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Alborada del Gracioso (Ravel/arr. Max Leth)
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$12.00 – $13.00

Alborada del Gracioso (Ravel/arr. Max Leth)

Arranged for marimba duo

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Max Leth



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Pulsation

$9.00 – $10.00
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For solo vibraphone

For solo vibraphone

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Pailleth

$8.00 – $9.00
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For solo vibraphone

For solo vibraphone

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Lethation

$8.00 – $9.00
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For solo vibraphone

For solo vibraphone

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Mallet Waltz

$12.00 – $13.00
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Arranged for vibes/marimba duo

Arranged for vibes/marimba duo

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Twilight

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In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.

In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.

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Solos
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An intermediate solo marimba piece, reminiscent of a summer sunset in the country.

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Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.

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Bailey Wrist Twisters Cover
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Wrist Twisters

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Wrist Twisters: A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.

Select options This product has multiple variants. The options may be chosen on the product page
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Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.

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