$12.00
Simple and short (142 measures), yet beautifully written. 5.0 octave marimba required.
Simple and short (142 measures), yet beautifully written. 5.0 octave marimba required.
“Although there are ample technical challenges, the accomplished vibraphonist will find that giving a cohesive rendering of “Apranibita” is the greatest challenge.”- Percussive Notes
“Although there are ample technical challenges, the accomplished vibraphonist will find that giving a cohesive rendering of “Apranibita” is the greatest challenge.”- Percussive Notes
The Sharpend Stick is a Native American war song and dance that is in the “fish-step” style. It is said that the popular 1920’s dance craze the “Charleston” was derived from this dance.
The Sharpend Stick is a Native American war song and dance that is in the “fish-step” style. It is said that the popular 1920’s dance craze the “Charleston” was derived from this dance.
A third-place winner in 2002 PAS composition contest for solo multiple percussion. The title is taken from the new form of USB, a high data-transfer cable which is the interface for today’s digital audio and video devices (allowing the user to send more than a CD’s worth of data every 10 seconds). In the piece, the performer becomes the Fire Wire, relaying information to the audience at a high rate of speed.
A third-place winner in 2002 PAS composition contest for solo multiple percussion. The title is taken from the new form of USB, a high data-transfer cable which is the interface for today’s digital audio and video devices (allowing the user to send more than a CD’s worth of data every 10 seconds). In the piece, the performer becomes the Fire Wire, relaying information to the audience at a high rate of speed.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Rechargeble Light received its premiere performance on August 4, 2000 at the Chautauqua Institute (Chautauqua, NY) with Michael Burritt as percussion soloist. It attempts to fuse electronic and acoustic sounds in a chamber music setting. Scored for percussion soloist playing non-pitched instruments accompanied by five percussionists playing mostly pitched instruments including two synthesizers and a MalletKat (a synthesizer comprised of triggers in the shape of a mallet keyboard).
Rechargeble Light received its premiere performance on August 4, 2000 at the Chautauqua Institute (Chautauqua, NY) with Michael Burritt as percussion soloist. It attempts to fuse electronic and acoustic sounds in a chamber music setting. Scored for percussion soloist playing non-pitched instruments accompanied by five percussionists playing mostly pitched instruments including two synthesizers and a MalletKat (a synthesizer comprised of triggers in the shape of a mallet keyboard).
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Wrist Twisters: A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
Wrist Twisters: A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
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