$78.00 – $90.00
Song of the Yeve Cult has been arranged for symphony orchestra and percussion, featuring two marimbas and traditional west African rhythmic accompaniment.
A compilation of British and American drum beatings written for one or more of both fife and drum.
A compilation of British and American drum beatings written for one or more of both fife and drum.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Inspired by William Blake’s poem by the same name, and arranged for four percussionists and a CD accompaniment to explore free, meterless music.
Inspired by William Blake’s poem by the same name, and arranged for four percussionists and a CD accompaniment to explore free, meterless music.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
The haunting melody of this song comes from the Atenteben flute ensembles of Ghana. It has been arranged for symphony orchestra and percussion, featuring two marimbas and traditional west African rhythmic accompaniment on Gonkogui (double bell), Axatse (gourd rattle), and drum.
17 page score, arranged for full orchestra (30 parts)
| Difficulty | Intermediate |
|---|---|
| Performance Type | Orchestra, 6+ Players, Arrangement/Transcription |
| Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
Arranged for marimba quartet
Arranged for marimba quartet
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
