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Valse Espagnole

This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands.

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“espagnole1” Kevin Romanski
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1. “espagnole1” — Kevin Romanski
0:53
2. “espagnole2” — Kevin Romanski
1:35

This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands. Chock-a-block chords, extended runs, and swift octave passages mark the work as one of the most physically taxing in the repertory. Two interpolated cadenzas have been included for use at the performer’s discretion. A 4.3-octave marimba is required. (Advanced)

Valse Espagnol, Op. 1 – Recorded live in Chih-Shan Hall, Kaohsiung on July 17th, 2012.

Kevin Romanski

Meet Kevin Romanski

Kevin Romanski currently serves as Associate Professor of Percussion at Shu-Te University, where he also acts as Director of Musical Studies for the Department of Performing Arts.

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Franz Liszt: The Bicentennial Collection

$22.00 – $24.00
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To date, the solo marimbist’s repertoire from the Classical and Romantic periods contains a handful of transcriptions. The Bicentennial Collection will give audiences a first taste of Liszt’s solo piano works transcribed for marimba and fill in a long standing stylistic void in our repertoire.

To date, the solo marimbist’s repertoire from the Classical and Romantic periods contains a handful of transcriptions. The Bicentennial Collection will give audiences a first taste of Liszt’s solo piano works transcribed for marimba and fill in a long standing stylistic void in our repertoire.

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Preludes 1-12

$20.00 – $22.00
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These pieces exemplify various styles of keyboard composition, forging a link from the pianism of the nineteenth century to the modern age of marimba performance. The Preludes make significant technical demands and require the highest degree of artistry from the player.

These pieces exemplify various styles of keyboard composition, forging a link from the pianism of the nineteenth century to the modern age of marimba performance. The Preludes make significant technical demands and require the highest degree of artistry from the player.

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Prelude, Op. 3 No. 14

$8.00 – $9.00
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An alternate version of the Prelude in C# minor from the second volume of Preludes, Op. 3. This version has been registrally expanded to be performed on a 5-octave marimba. As in previous editions, this Prelude exemplifies a style of composition that forges a link from the piano-oriented keyboard works of the nineteenth century to the modern age of marimba performance. The Prelude makes significant technical demands and requires the highest degree of artistry from the player.

An alternate version of the Prelude in C# minor from the second volume of Preludes, Op. 3. This version has been registrally expanded to be performed on a 5-octave marimba. As in previous editions, this Prelude exemplifies a style of composition that forges a link from the piano-oriented keyboard works of the nineteenth century to the modern age of marimba performance. The Prelude makes significant technical demands and requires the highest degree of artistry from the player.

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Beginner
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Life on the River

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A short work – along the lines of a character piece or album leaf – that musically depicts the panoramic paintings of the same title: 清明上河圖 (Along the River During the Ching-ming Festival).

A short work – along the lines of a character piece or album leaf – that musically depicts the panoramic paintings of the same title: 清明上河圖 (Along the River During the Ching-ming Festival).

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