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$8.00

Where Do Dreams Go?

More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.

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Meet John Mark Piper

John Mark Piper is a professional vibraphonist/drummer/composer and teacher residing in the Dallas, Texas area.

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Just A Step Away

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A slower, more introspective composition than ‘Spring Valley Kids’, ‘Just a Step Away’ offers the performer the opportunity to shape the composition through improvisation.

A slower, more introspective composition than ‘Spring Valley Kids’, ‘Just a Step Away’ offers the performer the opportunity to shape the composition through improvisation.

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Conflicting Goodbyes

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Conflicting Goodbyes, as the title suggests, has a lyrical, introspective melody, requiring the soloist to play expressively and with attention to tonal and dynamic nuances. A lovely piece!

Conflicting Goodbyes, as the title suggests, has a lyrical, introspective melody, requiring the soloist to play expressively and with attention to tonal and dynamic nuances. A lovely piece!

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Baroque In Swing

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Baroque in Swing is another of the popular “Seven Songs for Vibraphone” performed and recorded by John Mark Piper. With its bouncy intro and rapid patters of rapid 16ths, this piece is a challenge and an opportunity for serious vibraphonists to display their skills.

Baroque in Swing is another of the popular “Seven Songs for Vibraphone” performed and recorded by John Mark Piper. With its bouncy intro and rapid patters of rapid 16ths, this piece is a challenge and an opportunity for serious vibraphonists to display their skills.

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Amazing Grace

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A challenging arrangement of the old traditional tune, including a section which shows off the performer’s improvisatory skills, this one is sure to be a favorite with performers and audience alike. (Piper’s concert performances of “Amazing Grace” have unfailingly brought down the house!)

A challenging arrangement of the old traditional tune, including a section which shows off the performer’s improvisatory skills, this one is sure to be a favorite with performers and audience alike. (Piper’s concert performances of “Amazing Grace” have unfailingly brought down the house!)

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More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.

Difficulty

Advanced
Performance Type

Solo

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Four-Mallet Progressive Literature

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Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.

Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.

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Vertical River

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Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day. Can be played on a 4.3 octave marimba.

Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day. Can be played on a 4.3 octave marimba.

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Charleston Capers (G.H. Green/arr. Bob Becker)

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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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