$8.00
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.
Three exciting vibe books, one low price!
Three exciting vibe books, one low price!
Serving as an incredible vehicle for improvisation studies for both students and teachers, Seven Songs for Vibraphone is a diverse collection of performance-ready songs, each written in a different style and purposefully designed to highlight specific musical and technical concepts. While educational in nature, the songs are still relatable and fun and can be performed anywhere from street to stage. Supplemental practices material from contributing editor Andrew Richardson enrich the book with a wealth of knowledge giving players the freedom to express and improvise effortlessly.
Serving as an incredible vehicle for improvisation studies for both students and teachers, Seven Songs for Vibraphone is a diverse collection of performance-ready songs, each written in a different style and purposefully designed to highlight specific musical and technical concepts. While educational in nature, the songs are still relatable and fun and can be performed anywhere from street to stage. Supplemental practices material from contributing editor Andrew Richardson enrich the book with a wealth of knowledge giving players the freedom to express and improvise effortlessly.
Another of John Mark Piper’s popular ‘Seven Songs for Vibraphone’, as performed by Piper in live performances and on CD.
Another of John Mark Piper’s popular ‘Seven Songs for Vibraphone’, as performed by Piper in live performances and on CD.
A bright 3/4 tune in C, easier to play than most of Piper’s Seven Songs. Spot would make an excellent jury piece for the developing vibraphonist.
A bright 3/4 tune in C, easier to play than most of Piper’s Seven Songs. Spot would make an excellent jury piece for the developing vibraphonist.
A slower, more introspective composition than ‘Spring Valley Kids’, ‘Just a Step Away’ offers the performer the opportunity to shape the composition through improvisation.
A slower, more introspective composition than ‘Spring Valley Kids’, ‘Just a Step Away’ offers the performer the opportunity to shape the composition through improvisation.
Conflicting Goodbyes, as the title suggests, has a lyrical, introspective melody, requiring the soloist to play expressively and with attention to tonal and dynamic nuances. A lovely piece!
Conflicting Goodbyes, as the title suggests, has a lyrical, introspective melody, requiring the soloist to play expressively and with attention to tonal and dynamic nuances. A lovely piece!
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.
| Difficulty | Advanced |
|---|---|
| Performance Type | Solo |
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
Arranged for marimba quartet
Arranged for marimba quartet
