In this book, Butov addresses many of the major problems of advanced two mallet playing; double sticking, accuracy over wide leaps, independence of the two hands, etc.
In this book, Butov addresses many of the major problems of advanced two mallet playing; double sticking, accuracy over wide leaps, independence of the two hands, etc.
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
1993 is meant to emulate the background music to the first level of a video game. Its cheerful quality and simple form and harmony reflect the simplicity of life as a child.
1993 is meant to emulate the background music to the first level of a video game. Its cheerful quality and simple form and harmony reflect the simplicity of life as a child.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
A One Way Ticket is inspired by a poem of Kelsey Burritt’s entitled Drone. This percussion duet was written for and performed by the percussion duo, Escape X.
A One Way Ticket is inspired by a poem of Kelsey Burritt’s entitled Drone. This percussion duet was written for and performed by the percussion duo, Escape X.
This is the second work for solo marimba written for Greg Zuber. The title is a play on words, referring as much to recurring figures in the piece, especially in the latter part of the work.
This is the second work for solo marimba written for Greg Zuber. The title is a play on words, referring as much to recurring figures in the piece, especially in the latter part of the work.
A marimba duet commissioned by the percussion duo Escape X.
A marimba duet commissioned by the percussion duo Escape X.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
The sequel to his Intermediate Contest Solos collection, Blake has provided interesting material for the intermediate to advanced high school student or early college-level snare drummer.
The sequel to his Intermediate Contest Solos collection, Blake has provided interesting material for the intermediate to advanced high school student or early college-level snare drummer.
A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.
A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.
Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.
Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
A Salute to George Hamilton Green, featuring Bob Becker on xylophone and Yurika Kimura on marimba. You can’t imagine how fantastic these marimba and xylophone duos sound. The happiness of this highly syncopated music is as infectious as any ever written.”After a fantastic performance by Bob and Yurika at PASIC 2013 where several of these pieces were played, I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
A Salute to George Hamilton Green, featuring Bob Becker on xylophone and Yurika Kimura on marimba. You can’t imagine how fantastic these marimba and xylophone duos sound. The happiness of this highly syncopated music is as infectious as any ever written.”After a fantastic performance by Bob and Yurika at PASIC 2013 where several of these pieces were played, I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Arranged for marimba duo
Arranged for marimba duo
(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.
(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.
