Showing 301–320 of 342 results
Showing 301–320 of 342 results
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Ensemble for horn and percussion octet.
Ensemble for horn and percussion octet.
This is a very interesting and satisfying work for marimba and piano which was originally written for marimba and strings. The development of the musical material is beautifully controlled and the marimba part is challenging but completely idiomatic.
This is a very interesting and satisfying work for marimba and piano which was originally written for marimba and strings. The development of the musical material is beautifully controlled and the marimba part is challenging but completely idiomatic.
For solo Timpani (5 drums) and Orchestra
For solo Timpani (5 drums) and Orchestra
A charming work whose three movements are reminiscent of sea chanties! This duet for bells and vibraphone promotes 2-Mallet accuracy and tight ensemble playing!
A charming work whose three movements are reminiscent of sea chanties! This duet for bells and vibraphone promotes 2-Mallet accuracy and tight ensemble playing!
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Composed by Mozart, arranged for marimba duet by Naoko Takada
Composed by Mozart, arranged for marimba duet by Naoko Takada
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
This two-movement piece for marimba and clarinet reflects the composer’s versatile musical background. Though rhythmically demanding, it offers the performers an arena for musical expression.
This two-movement piece for marimba and clarinet reflects the composer’s versatile musical background. Though rhythmically demanding, it offers the performers an arena for musical expression.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
