Chamber/Ensemble

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Lights of the Forest

$66.00
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Lights of the Forest is a loosely programmatic piece. It is inspired by a series of images of light in a forest: the setting sun through the trees, a campfire of a traveler, the glowing eyes of a predator, the glow of bioluminescent life forms, stars peering through the boreal canopy, first light as night recedes.”I really enjoyed this piece for its complexity of techniques, orchestration, and level of difficulty.”-Percussive Notes

Lights of the Forest is a loosely programmatic piece. It is inspired by a series of images of light in a forest: the setting sun through the trees, a campfire of a traveler, the glowing eyes of a predator, the glow of bioluminescent life forms, stars peering through the boreal canopy, first light as night recedes.”I really enjoyed this piece for its complexity of techniques, orchestration, and level of difficulty.”-Percussive Notes

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Masvikiro

$75.00
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For 8 percussionists, 3 of which serve as soloists and interact with the rest of the ensemble in ways which mimic the movements and works of the maskiviro (spiritual medium in the culture of Zimbabwe). Written for the NWU Percussion Ensemble.

For 8 percussionists, 3 of which serve as soloists and interact with the rest of the ensemble in ways which mimic the movements and works of the maskiviro (spiritual medium in the culture of Zimbabwe). Written for the NWU Percussion Ensemble.

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Mirages

$46.00 – $53.00
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Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.

Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.

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Mosaics

$35.00
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Ewazen’s combination of flute, bassoon, and marimba is exquisite, as is his writing. This four-movement work is perfect for any recital. 5.0 octave marimba required.

Ewazen’s combination of flute, bassoon, and marimba is exquisite, as is his writing. This four-movement work is perfect for any recital. 5.0 octave marimba required.

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Multum in Parvis

$78.00
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Multum in Parvis differs from Helble’s other percussion orchestra works in that most of the material is introduced and developed by membranophones rather than keyboards.

Multum in Parvis differs from Helble’s other percussion orchestra works in that most of the material is introduced and developed by membranophones rather than keyboards.

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Old Man Jazz (Gene Quaw/arr. Yurika Kimura)

$21.00 – $24.00
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Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

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Ora No Omboko

$12.00
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A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.

A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.

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Palta

$48.00 – $55.00
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(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

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Passacaglia for Percussion Ensemble

$60.00
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A finely crafted work for ten players, featuring two sets of antiphonal timpani. Parts range from very simple bass drum and cymbals, to challenging snare drum, keyboard and timpani. Premiered by the Eastman Percussion Ensemble. Neat manuscript, spiral bound.

A finely crafted work for ten players, featuring two sets of antiphonal timpani. Parts range from very simple bass drum and cymbals, to challenging snare drum, keyboard and timpani. Premiered by the Eastman Percussion Ensemble. Neat manuscript, spiral bound.

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Prelude and Rondo alla marcia, Op. 59

$75.00
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Prelude and Rondo, commissioned by Texas Christian University and Dr. Brian West for a PASIC performance, is a large and very attractive percussion orchestra work, featuring one of Helble’s most beautiful and hypnotic openings.

Prelude and Rondo, commissioned by Texas Christian University and Dr. Brian West for a PASIC performance, is a large and very attractive percussion orchestra work, featuring one of Helble’s most beautiful and hypnotic openings.

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Prisoners of the Image Factory

$24.00 – $28.00
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For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.

For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.

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