Chamber/Ensemble

Masvikiro

$75.00

For 8 percussionists, 3 of which serve as soloists and interact with the rest of the ensemble in ways which mimic the movements and works of the maskiviro (spiritual medium in the culture of Zimbabwe). Written for the NWU Percussion Ensemble.

For 8 percussionists, 3 of which serve as soloists and interact with the rest of the ensemble in ways which mimic the movements and works of the maskiviro (spiritual medium in the culture of Zimbabwe). Written for the NWU Percussion Ensemble.

Multum in Parvis

$78.00

Multum in Parvis differs from Helble’s other percussion orchestra works in that most of the material is introduced and developed by membranophones rather than keyboards.

Multum in Parvis differs from Helble’s other percussion orchestra works in that most of the material is introduced and developed by membranophones rather than keyboards.

Palta

$48.00$55.00

(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

Passacaglia for Percussion Ensemble

$60.00

A finely crafted work for ten players, featuring two sets of antiphonal timpani. Parts range from very simple bass drum and cymbals, to challenging snare drum, keyboard and timpani. Premiered by the Eastman Percussion Ensemble. Neat manuscript, spiral bound.

A finely crafted work for ten players, featuring two sets of antiphonal timpani. Parts range from very simple bass drum and cymbals, to challenging snare drum, keyboard and timpani. Premiered by the Eastman Percussion Ensemble. Neat manuscript, spiral bound.

Prelude and Rondo alla marcia, Op. 59

$75.00

Prelude and Rondo, commissioned by Texas Christian University and Dr. Brian West for a PASIC performance, is a large and very attractive percussion orchestra work, featuring one of Helble’s most beautiful and hypnotic openings.

Prelude and Rondo, commissioned by Texas Christian University and Dr. Brian West for a PASIC performance, is a large and very attractive percussion orchestra work, featuring one of Helble’s most beautiful and hypnotic openings.

Quartz City

$30.00

Quartz City is another winner – literally. Johnson’s piece won first prize in the 1995 P.A.S.Composition Contest. The vibraphone solo is very challenging; the ensemble parts somewhat less so.

Quartz City is another winner – literally. Johnson’s piece won first prize in the 1995 P.A.S.Composition Contest. The vibraphone solo is very challenging; the ensemble parts somewhat less so.

Rain Forest

$22.00

This work for solo marimba, four percussion, and timpani is described by the composer as a “mood portrait of the dark, sultry, murky vegetation covering unexpected mysteries of the tropical rain forest.” Counter rhythms and polyrhythms have a strong presence in the piece, creating a primitive atmosphere. The use of a wide array of instruments and playing implements contributes to this mood.

This work for solo marimba, four percussion, and timpani is described by the composer as a “mood portrait of the dark, sultry, murky vegetation covering unexpected mysteries of the tropical rain forest.” Counter rhythms and polyrhythms have a strong presence in the piece, creating a primitive atmosphere. The use of a wide array of instruments and playing implements contributes to this mood.

Rechargeable Light

$50.00

Rechargeble Light received its premiere performance on August 4, 2000 at the Chautauqua Institute (Chautauqua, NY) with Michael Burritt as percussion soloist. It attempts to fuse electronic and acoustic sounds in a chamber music setting. Scored for percussion soloist playing non-pitched instruments accompanied by five percussionists playing mostly pitched instruments including two synthesizers and a MalletKat (a synthesizer comprised of triggers in the shape of a mallet keyboard).

Rechargeble Light received its premiere performance on August 4, 2000 at the Chautauqua Institute (Chautauqua, NY) with Michael Burritt as percussion soloist. It attempts to fuse electronic and acoustic sounds in a chamber music setting. Scored for percussion soloist playing non-pitched instruments accompanied by five percussionists playing mostly pitched instruments including two synthesizers and a MalletKat (a synthesizer comprised of triggers in the shape of a mallet keyboard).

The Oregon Variations

$69.00

“This is a composition for solo marimba (5.0 octave) accompanied by two mallet-keyboard parts and two percussion parts. This piece will be rewarding for the intermediate to advanced percussion ensemble. It is very organic in sound and has wonderful amalgamations of percussion colors.”- Percussive Notes

“This is a composition for solo marimba (5.0 octave) accompanied by two mallet-keyboard parts and two percussion parts. This piece will be rewarding for the intermediate to advanced percussion ensemble. It is very organic in sound and has wonderful amalgamations of percussion colors.”- Percussive Notes

Whatever’s More 2

$40.00

This marimba part to this version is exactly the same as the original for solo marimba (2010). There are now additional string parts (two violins, viola, and cello) to accompany this solo. An even more beautiful version of one of Stout’s most beautiful compositions.

This marimba part to this version is exactly the same as the original for solo marimba (2010). There are now additional string parts (two violins, viola, and cello) to accompany this solo. An even more beautiful version of one of Stout’s most beautiful compositions.