Showing 17–31 of 31 results
Showing 17–31 of 31 results
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
The music box-inspired tune, originally by electronic musician Aphex Twin, arranged for Percussion Ensemble.
The music box-inspired tune, originally by electronic musician Aphex Twin, arranged for Percussion Ensemble.
(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.
(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.
A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.
For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.
For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Three spectacular compositions arranged for Marimba, Bass, and Drums. Save $15 by purchasing Art Song, Attendance to Ritual, and Mozambique all together!
Three spectacular compositions arranged for Marimba, Bass, and Drums. Save $15 by purchasing Art Song, Attendance to Ritual, and Mozambique all together!
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
This award-winning composition for soprano, tenor, and marimba is set as a “poetry reading” of the anti-war poem by Langston Hughes. Written for a low E instrument, optional notes have been supplied for adaptation to a 4.3.
This award-winning composition for soprano, tenor, and marimba is set as a “poetry reading” of the anti-war poem by Langston Hughes. Written for a low E instrument, optional notes have been supplied for adaptation to a 4.3.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
Ensemble for horn and percussion octet.
Ensemble for horn and percussion octet.
For marimba, clarinet, and string bass – a surprisingly fresh sound combination. This rhythmically and harmonically exciting work provides a fun challenge to all involved.
For marimba, clarinet, and string bass – a surprisingly fresh sound combination. This rhythmically and harmonically exciting work provides a fun challenge to all involved.
