Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.
Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
This fun arrangement of George Hamilton Green’s Xylophonia for concert band demonstrates the dance music that was popular from the turn of the century until the 1930s.
This fun arrangement of George Hamilton Green’s Xylophonia for concert band demonstrates the dance music that was popular from the turn of the century until the 1930s.
This fun arrangement of George Hamilton Green’s Xylophonia for orchestra demonstrates the dance music that was popular from the turn of the century until the 1930s.
This fun arrangement of George Hamilton Green’s Xylophonia for orchestra demonstrates the dance music that was popular from the turn of the century until the 1930s.
