Marimba

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Acquiescent Blues

$34.00$40.00

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

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Afwa Yuovu

$20.00

With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).

With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).

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Alabama Moon (by G.H. Green/arr. Becker/Kimura)

$21.00$24.00

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

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All Hallow’s Eve

$10.00

The best selling composer of Bicksa and Six Bagatelles continues his winning streak with All Hallow’s Eve. This complex solo is not for the faint of heart! Dedicated and premiered by Gordon Stout, All Hallow’s Eve is guaranteed to add a little spice to your next recital.

The best selling composer of Bicksa and Six Bagatelles continues his winning streak with All Hallow’s Eve. This complex solo is not for the faint of heart! Dedicated and premiered by Gordon Stout, All Hallow’s Eve is guaranteed to add a little spice to your next recital.

Altered Echoes

$15.00

Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.

Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.

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Ameline

$13.00$15.00

Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

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Ameline (Marimba/Clarinet Duo)

$21.00$24.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

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Duets
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Ameline (Marimba/Flute Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.

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Ameline (Marimba/Vibraphone Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

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Ameline (Marimba/Violin Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

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Anthem: To Catch a Glimpse

$14.00$17.00

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

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Anubis

$10.00$11.00

Inspired by the ideas of Egyptian music and mythology, Anubis embodies the sound of an epic motion picture soundtrack and contains an Egyptian folk song, Salma ya Salama.

Inspired by the ideas of Egyptian music and mythology, Anubis embodies the sound of an epic motion picture soundtrack and contains an Egyptian folk song, Salma ya Salama.

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Azure

$21.00$24.00

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

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Balaphuge

$10.00

Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.

Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.

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