Showing 193–208 of 248 results
Showing 193–208 of 248 results
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
The chivalry and romanticism of Merry Olde England is conjured up by this work which features a 6/8 and a 2/4 dance, 4-mallet block-chordal and tonal harmonies and arpeggios over the entire keyboard. Reminiscent of the Elizabethan music of composers, John Dowland and William Byrd. Duration = 3:00
The chivalry and romanticism of Merry Olde England is conjured up by this work which features a 6/8 and a 2/4 dance, 4-mallet block-chordal and tonal harmonies and arpeggios over the entire keyboard. Reminiscent of the Elizabethan music of composers, John Dowland and William Byrd. Duration = 3:00
Commissioned by Thomas Burritt, this six-piece set offers a fun musical and technical challenge.
Commissioned by Thomas Burritt, this six-piece set offers a fun musical and technical challenge.
“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.
“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.
“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News
“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
An interesting three-movement work that puts the player through various musical styles. The first movement is rhythmic and fast . The second movement is soft and flowing in a chorale style. The last movement is a study in changing meters.
An interesting three-movement work that puts the player through various musical styles. The first movement is rhythmic and fast . The second movement is soft and flowing in a chorale style. The last movement is a study in changing meters.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity.
A four-movement piece for solo marimba
A four-movement piece for solo marimba
This solo for the advanced marimbist is in four movements. It contains the famous “Piece for Marimba” (mvt. 2), as recorded by Gordon Stout (“Music for Solo Marimba”). Each movement is in a contrasting style, making this an ideal recital work. 4.3 marimba is required.
This solo for the advanced marimbist is in four movements. It contains the famous “Piece for Marimba” (mvt. 2), as recorded by Gordon Stout (“Music for Solo Marimba”). Each movement is in a contrasting style, making this an ideal recital work. 4.3 marimba is required.
