Three Sonatas (Scarlatti/arr. Karen Ervin-Pershing)
$8.00Transcribed for solo marimba.
Transcribed for solo marimba.
Showing 289–304 of 318 results
Showing 289–304 of 318 results
Transcribed for solo marimba.
Transcribed for solo marimba.
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
This composition written for two marimbas musically depicts three different winter impressions. The piece, through its three movements, evokes imagery of both fluid and frozen water, a landscape with ice trees, and a wild blizzard.
This composition written for two marimbas musically depicts three different winter impressions. The piece, through its three movements, evokes imagery of both fluid and frozen water, a landscape with ice trees, and a wild blizzard.
The master marimba composer (Preludes, Grand Fantasy, etc.) has written a massive sounding, very difficult tonal solo piece. Toccata Fantasy is full of great tunes, exciting chromatic key changes and clever textures.
The master marimba composer (Preludes, Grand Fantasy, etc.) has written a massive sounding, very difficult tonal solo piece. Toccata Fantasy is full of great tunes, exciting chromatic key changes and clever textures.
An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.
An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
A standard in the percussion community. This work has been recorded and performed in recital many time over. Both movements may be played in conjunction or independently.
A standard in the percussion community. This work has been recorded and performed in recital many time over. Both movements may be played in conjunction or independently.
These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.
These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.
This collection includes Sonata in G Major K.2 L.388 and Sonata in e minor K. 98 L.325 arranged for solo marimba.
This collection includes Sonata in G Major K.2 L.388 and Sonata in e minor K. 98 L.325 arranged for solo marimba.
Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.
Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.
Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.
Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.
Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.
Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.
This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands.
This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands.