Showing 17–32 of 77 results
Showing 17–32 of 77 results
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
Solo piece for marimba with multiple percussion
Solo piece for marimba with multiple percussion
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
“Etude in A-flat Major,” as recorded by Vida Chenoweth and many other artists. Can be performed with or without the included piano accompaniment.
“Etude in A-flat Major,” as recorded by Vida Chenoweth and many other artists. Can be performed with or without the included piano accompaniment.
Mauro Giuliani is widely considered to be the leading Italian guitar virtuoso of the 19th century. He is remembered most for his concertos, sonatas, duos with violin or flute, and numerous songs and studies. In this collection, four of Giuliani’s most memorable rondeaux have been transcribed for marimba.
Mauro Giuliani is widely considered to be the leading Italian guitar virtuoso of the 19th century. He is remembered most for his concertos, sonatas, duos with violin or flute, and numerous songs and studies. In this collection, four of Giuliani’s most memorable rondeaux have been transcribed for marimba.
Four beautiful Mendelssohn selections arranged in duet versions by Jeff Cornelius.”Whether as a teaching tool or a supplementary piece on a recital program, college educators will find Jeff Cornelius’s arrangements very useful.”-Percussive Notes
Four beautiful Mendelssohn selections arranged in duet versions by Jeff Cornelius.”Whether as a teaching tool or a supplementary piece on a recital program, college educators will find Jeff Cornelius’s arrangements very useful.”-Percussive Notes
Four beautiful Mendelssohn selections arranged in solo versions by Jeff Cornelius.”The arrangements are very well done, and the selections are fantastic audience pleasers … Kudos to Cornelius for contributing these fine arrangements of Mendelssohn’s beautiful piano music.”-Percussive Notes
Four beautiful Mendelssohn selections arranged in solo versions by Jeff Cornelius.”The arrangements are very well done, and the selections are fantastic audience pleasers … Kudos to Cornelius for contributing these fine arrangements of Mendelssohn’s beautiful piano music.”-Percussive Notes
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
