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A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
An energetic piece for solo marimba/vibraphone and electronics.
An energetic piece for solo marimba/vibraphone and electronics.
Written in tribute to a lost friend, this poignant piece will cause you to reflect on the important relationships in your life.
Written in tribute to a lost friend, this poignant piece will cause you to reflect on the important relationships in your life.
Premiered at PASIC 2017, MAG7 is a virtuosic ensemble piece that infuses multiple genres and artistic influences.
Premiered at PASIC 2017, MAG7 is a virtuosic ensemble piece that infuses multiple genres and artistic influences.
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.
Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
| Difficulty | Advanced |
|---|---|
| Performance Type | Solo |
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
It is with the virtuosic percussionist in mind that Contemporary Collection for Snare Drum was composed.
It is with the virtuosic percussionist in mind that Contemporary Collection for Snare Drum was composed.
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
