$10.00 – $11.00
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.
One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. The opening and ending of the piece allow the perform to play very freely. The main body of the work has a swing feel. May be performed as a solo or as part of the suite.
| Difficulty | Advanced |
|---|---|
| Performance Type | Solo |
| Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
