Another of John Mark Piper’s popular ‘Seven Songs for Vibraphone’, as performed by Piper in live performances and on CD.
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Another of John Mark Piper’s popular ‘Seven Songs for Vibraphone’, as performed by Piper in live performances and on CD.
Another of John Mark Piper’s popular ‘Seven Songs for Vibraphone’, as performed by Piper in live performances and on CD.
Difficulty | Advanced |
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Performance Type | Solo |
Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
Three exciting vibe books, one low price!
Three exciting vibe books, one low price!
Serving as an incredible vehicle for improvisation studies for both students and teachers, Seven Songs for Vibraphone is a diverse collection of performance-ready songs, each written in a different style and purposefully designed to highlight specific musical and technical concepts. While educational in nature, the songs are still relatable and fun and can be performed anywhere from street to stage. Supplemental practices material from contributing editor Andrew Richardson enrich the book with a wealth of knowledge giving players the freedom to express and improvise effortlessly.
Serving as an incredible vehicle for improvisation studies for both students and teachers, Seven Songs for Vibraphone is a diverse collection of performance-ready songs, each written in a different style and purposefully designed to highlight specific musical and technical concepts. While educational in nature, the songs are still relatable and fun and can be performed anywhere from street to stage. Supplemental practices material from contributing editor Andrew Richardson enrich the book with a wealth of knowledge giving players the freedom to express and improvise effortlessly.
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.
A bright 3/4 tune in C, easier to play than most of Piper’s Seven Songs. Spot would make an excellent jury piece for the developing vibraphonist.
A bright 3/4 tune in C, easier to play than most of Piper’s Seven Songs. Spot would make an excellent jury piece for the developing vibraphonist.
A slower, more introspective composition than ‘Spring Valley Kids’, ‘Just a Step Away’ offers the performer the opportunity to shape the composition through improvisation.
A slower, more introspective composition than ‘Spring Valley Kids’, ‘Just a Step Away’ offers the performer the opportunity to shape the composition through improvisation.
Conflicting Goodbyes, as the title suggests, has a lyrical, introspective melody, requiring the soloist to play expressively and with attention to tonal and dynamic nuances. A lovely piece!
Conflicting Goodbyes, as the title suggests, has a lyrical, introspective melody, requiring the soloist to play expressively and with attention to tonal and dynamic nuances. A lovely piece!
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
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