A Very Welcome
$10.00A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
Showing 1–20 of 100 results
Showing 1–20 of 100 results
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).
With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.
Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
A set of five short duets for vibraphone and marimba. The marimba part can be played on a 4.6 octave instrument. Perfect for programming in a joint recital!
A set of five short duets for vibraphone and marimba. The marimba part can be played on a 4.6 octave instrument. Perfect for programming in a joint recital!
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.
Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
This piece is scored for a large array of standard percussion instruments including brake drums, woodblocks, glockenspiel, cowbells, marimba, bass drum, and even muted Chinese gongs.
This piece is scored for a large array of standard percussion instruments including brake drums, woodblocks, glockenspiel, cowbells, marimba, bass drum, and even muted Chinese gongs.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.
This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.
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Hatch’s composition, a long time favorite, includes an arrangement for marimba trio accompaniment as well as piano.
Hatch’s composition, a long time favorite, includes an arrangement for marimba trio accompaniment as well as piano.