(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu.
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu.
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.
Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.
