Showing 97–112 of 115 results
Showing 97–112 of 115 results
This four-movement work for five percussionists is featured on the latest NEXUS CD, Drumtalker. Throughout the composition Hartenberger uses elements of talking drum styles and the rhythm patterns of West African drumming ensembles.
This four-movement work for five percussionists is featured on the latest NEXUS CD, Drumtalker. Throughout the composition Hartenberger uses elements of talking drum styles and the rhythm patterns of West African drumming ensembles.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
A PAS prize-winning composition for solo multi-percussion and percussion quartet.
A PAS prize-winning composition for solo multi-percussion and percussion quartet.
This award-winning composition for soprano, tenor, and marimba is set as a “poetry reading” of the anti-war poem by Langston Hughes. Written for a low E instrument, optional notes have been supplied for adaptation to a 4.3.
This award-winning composition for soprano, tenor, and marimba is set as a “poetry reading” of the anti-war poem by Langston Hughes. Written for a low E instrument, optional notes have been supplied for adaptation to a 4.3.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Ensemble for horn and percussion octet.
Ensemble for horn and percussion octet.
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
