Showing 17–32 of 224 results
Showing 17–32 of 224 results
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.
A virtuoso duet for marimba and drum set.
A virtuoso duet for marimba and drum set.
The 1st-place winner in the 1998 PAS composition contest for solo marimba.
The 1st-place winner in the 1998 PAS composition contest for solo marimba.
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.
Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.
This 12-bar blues in C takes advantage of the mysteriously hip, subtle and “backstreet” quality of the marimba’s low range.
This 12-bar blues in C takes advantage of the mysteriously hip, subtle and “backstreet” quality of the marimba’s low range.
A difficult marimba duet by Gordon Stout.
A difficult marimba duet by Gordon Stout.
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada.”
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada.”
Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.
Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.
Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.
Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.
A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.
Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.
Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.
