Gigue and Double (J.S. Bach/arr. Andrea Venet)
$17.00 – $20.00Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Showing 49–64 of 106 results
Showing 49–64 of 106 results
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
A duet for two five-octave marimbas.
A duet for two five-octave marimbas.
Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!
Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!
Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes
Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes
Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes
Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes
In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Music from Four-Mallet Ballet
Music from Four-Mallet Ballet
Music from Four-Mallet Ballet
Music from Four-Mallet Ballet
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.
A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.
Manhattan Escapades was written in 2012 for two marimbas, both requiring a 5.0 instrument. Premiered at Ithaca College in 2014 with Gordon Stout and Kate Burns (Vorel).
Manhattan Escapades was written in 2012 for two marimbas, both requiring a 5.0 instrument. Premiered at Ithaca College in 2014 with Gordon Stout and Kate Burns (Vorel).
4-mallet marimba and Scott Joplin…an audience pleasing combination!
4-mallet marimba and Scott Joplin…an audience pleasing combination!
This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.
This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.
A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.
A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009