Marimba

Grand Overture (Giuliani/arr. James Moyer)

$15.00

Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!

Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!

Greensleeves (Traditional/arr. Gordon Peters)

$5.00

Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes

Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes

Gypsy Carnival (Duet for Vibraphone and Marimba)

$18.00

Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes

Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes

In Sweet September (James Monaco/arr. Yurika Kimura)

$21.00$24.00

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

Kaleiduoscope

$29.00$33.00

Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.

Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.

looking at ‘r’

$25.00

A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.

A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.

Meteor

$34.00$40.00

This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.

This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.

Solos Arrangement/Transcription

Mini Suite III (Bach/arr. Leigh Howard Stevens)

$11.00$13.00

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

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