-
Showing 1–16 of 17 results
-
Filters
-
Showing 1–16 of 17 results
-
Filters
Filters:
Solo
Arrangement/Transcription
Five Timpani Solos, Concert Series Vol.1
$18.00These pieces, which range from three to five minutes, can be utilized effectively in private instruction, performing in a studio class or compiled together for a suite to be performed in public. These aspects will serve students and audience members alike and are worth considering for your library.
These pieces, which range from three to five minutes, can be utilized effectively in private instruction, performing in a studio class or compiled together for a suite to be performed in public. These aspects will serve students and audience members alike and are worth considering for your library.
Four Grotesques for Timpani
$9.00 – $10.00‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
No Evil
$9.00Intermediate to advanced technique is required for a successful performance of this theatrical timpani solo. Each movement is about two minutes in length, making the entire three-movement suite appropriate for the undergraduate timpanist. This composition should be performed as an entire unit and would be an excellent selection for a junior or senior undergraduate recital.- Jim Lambert, Percussive Notes
Intermediate to advanced technique is required for a successful performance of this theatrical timpani solo. Each movement is about two minutes in length, making the entire three-movement suite appropriate for the undergraduate timpanist. This composition should be performed as an entire unit and would be an excellent selection for a junior or senior undergraduate recital.- Jim Lambert, Percussive Notes
Symplegades
$8.00A dramatic portrayal of an incident from the legend of Jason and the Argonauts, Symplegades is a highly effective composition. The use of different striking areas of the timpani, as well as of various sticks and mallets, extends the timbral colors of the instrument. Requires power, control, subtlety and finesse!
A dramatic portrayal of an incident from the legend of Jason and the Argonauts, Symplegades is a highly effective composition. The use of different striking areas of the timpani, as well as of various sticks and mallets, extends the timbral colors of the instrument. Requires power, control, subtlety and finesse!
The Storm
$8.00‘The Storm’ is for four timpani and suspended cymbal, which is, at times, placed on one of the timpani. The outer sections are in a driving 5/8, with a slow cadenza-like middle section for contrast. Great contest or audition solo for a developing timpanist!
‘The Storm’ is for four timpani and suspended cymbal, which is, at times, placed on one of the timpani. The outer sections are in a driving 5/8, with a slow cadenza-like middle section for contrast. Great contest or audition solo for a developing timpanist!
Theme and Variations for Four Timpani
$8.00A second-place winner in 1976 PAS composition contest for timpani solo.
A second-place winner in 1976 PAS composition contest for timpani solo.
Three Pieces For Five Timpani
$10.00Premiered by Roland Kohloff, principal timpanist of the New York Philharmonic. These fun pieces are easy to read with clearly notated articulations, stickings, crossings, and tuning changes.
Premiered by Roland Kohloff, principal timpanist of the New York Philharmonic. These fun pieces are easy to read with clearly notated articulations, stickings, crossings, and tuning changes.
Timpani Playing in the 21st Century
$32.00Timpani may be simultaneously the most demanding, the most exciting, and the most satisfying of the symphonic percussion instruments – when they are played well. If not, they can be exactly the opposite. A great timpanist, probably more than most conductors, can influence the overall sound, rhythm and articulation of an orchestra. This book gives insight into every aspect of timpani performance, and every player should read it.Foreword by Bob Becker
Timpani may be simultaneously the most demanding, the most exciting, and the most satisfying of the symphonic percussion instruments – when they are played well. If not, they can be exactly the opposite. A great timpanist, probably more than most conductors, can influence the overall sound, rhythm and articulation of an orchestra. This book gives insight into every aspect of timpani performance, and every player should read it.Foreword by Bob Becker