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Chicken Reel Rag Xylo Solo (Daly/arr. William Cahn)

$5.00 – $6.00
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From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

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Choirs

$10.00
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A challenging work technically, “Choirs” also displays the multiple percussionists’ musical development. The piece has the practical advantage that each movement uses a relatively small set-up, facilitating the learning/practice process.

A challenging work technically, “Choirs” also displays the multiple percussionists’ musical development. The piece has the practical advantage that each movement uses a relatively small set-up, facilitating the learning/practice process.

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Chorale Variations

$32.00 – $35.00
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Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

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Choro No. 1 (Americana)

$30.00 – $33.00
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This is the first in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combinations with the marimba.

This is the first in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combinations with the marimba.

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Choro No. 1 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Choro No. 2 (Astral Choro)

$30.00 – $33.00
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This is the second in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.

This is the second in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.

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Choro No. 3

$30.00 – $33.00
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This is the third in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba. Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum).

This is the third in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba. Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum).

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Choro No. 3 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Choro No. 4

$25.00 – $28.00
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This is the fourth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the fourth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 4 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.

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Choro No. 5 (Toccata)

$25.00 – $28.00
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This is the fifth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the fifth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 6 (Bossa)

$35.00 – $39.00
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This is the sixth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the sixth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 7 (The Road Less Traveled)

$40.00 – $44.00
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This is the seventh in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the seventh in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 9 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Chromatic Fox-Trot (G.H. Green/arr. Bob Becker)

$20.00 – $22.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Chromatic Fox-Trot Xylo Solo (G.H. Green/arr. Bob Becker)

$5.00 – $6.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Circus Plenus Clamor Ingens Ianuae Tensae

$35.00
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The second-place winner in the 2003 PAS composition contest for percussion ensemble. The title means, “The circus is full. An enormous clamor. The gates are bulging.”

The second-place winner in the 2003 PAS composition contest for percussion ensemble. The title means, “The circus is full. An enormous clamor. The gates are bulging.”

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