Chamber/Ensemble

Aqalani

$35.00

Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.

Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.

Intermediate
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Atenteben

$24.00$28.00

Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.

Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.

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Characteristic Signs of Stress

$45.00

Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.

Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.

Concerto for Five Timpani and Orchestra Op. 31

Available For Rental Only

This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).

This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).

Concerto for Marimba and Orchestra

Available For Rental Only

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Concerto for Marimba and Percussion Ensemble

$69.00

This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.

This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.

Concerto for Timpani, Percussion and Winds

$120.00

Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.

Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.

Desperate Attitudes

$60.00

“Desperate Attitudes” is already accepted and established as a standard repertoire work. “In your face” mallet parts with a really “urban” edge, but it also has tremendous lyrical and harmonic impact.

“Desperate Attitudes” is already accepted and established as a standard repertoire work. “In your face” mallet parts with a really “urban” edge, but it also has tremendous lyrical and harmonic impact.

Faces

$60.00

A concerto for marimba/vibraphone in which the soloist’s role is not traditional, as in the classical style concerto. The piece consists of seven fairly short movements. Each one with its own character. Duration: 23 min. approx.

A concerto for marimba/vibraphone in which the soloist’s role is not traditional, as in the classical style concerto. The piece consists of seven fairly short movements. Each one with its own character. Duration: 23 min. approx.

Advanced
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Fandango 13 for Six Percussionists

$44.00$51.00

Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.

Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.

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Advanced
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Four Faces

$65.00$75.00

Four Faces is scored for 5.0 marimba soloist, four percussionists, and electric bass. Rhythmically extremely interesting, and not at all like any other music for marimba solo and percussion quartet. Check it out!

Four Faces is scored for 5.0 marimba soloist, four percussionists, and electric bass. Rhythmically extremely interesting, and not at all like any other music for marimba solo and percussion quartet. Check it out!

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Hohner

$80.00

A massive percussion orchestra of 21 players.Maslanka offers this piece in memory of Bob Hohner, one of the greatest contributors to percussion ensemble literature and performance. Strikingly gorgeous sonorities move audience and players alike.

A massive percussion orchestra of 21 players.Maslanka offers this piece in memory of Bob Hohner, one of the greatest contributors to percussion ensemble literature and performance. Strikingly gorgeous sonorities move audience and players alike.

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