Cordes et lames
$56.00Cordes et lames (“Strings and Bars”) for marimba and string quintet. Featured on Eric Sammut’s CD “Mirages”.
Cordes et lames (“Strings and Bars”) for marimba and string quintet. Featured on Eric Sammut’s CD “Mirages”.
Showing 17–32 of 129 results
Showing 17–32 of 129 results
Cordes et lames (“Strings and Bars”) for marimba and string quintet. Featured on Eric Sammut’s CD “Mirages”.
Cordes et lames (“Strings and Bars”) for marimba and string quintet. Featured on Eric Sammut’s CD “Mirages”.
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
“Desperate Attitudes” is already accepted and established as a standard repertoire work. “In your face” mallet parts with a really “urban” edge, but it also has tremendous lyrical and harmonic impact.
“Desperate Attitudes” is already accepted and established as a standard repertoire work. “In your face” mallet parts with a really “urban” edge, but it also has tremendous lyrical and harmonic impact.
Dex moves through a myriad of textures, colors, and metric modulations to create a sort of “drumming fanfare” that is both fun to play and experience as a listener.
Dex moves through a myriad of textures, colors, and metric modulations to create a sort of “drumming fanfare” that is both fun to play and experience as a listener.
For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.
For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.
A multi-percussion trio inspired by three of the greatest rock and fusion drum set players.
A multi-percussion trio inspired by three of the greatest rock and fusion drum set players.
Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….
Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….
Stout’s third work for marimba orchestra, featuring two marimba soloists.
Stout’s third work for marimba orchestra, featuring two marimba soloists.
Marimba Parts to the Duo Concertante by Gordon Stout Only! Full wind ensemble score and parts available by rental.
Marimba Parts to the Duo Concertante by Gordon Stout Only! Full wind ensemble score and parts available by rental.
This percussion quartet won 2nd place in the 2004 Percussive Arts Society Composition Contest. It is sure to excite players and audiences around the globe and has already been performed by Northernwestern University and Rutgers University.
This percussion quartet won 2nd place in the 2004 Percussive Arts Society Composition Contest. It is sure to excite players and audiences around the globe and has already been performed by Northernwestern University and Rutgers University.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.