Showing 17–31 of 31 results
Showing 17–31 of 31 results
Septet features a soloist part for bongos and timbales with roto-tom, triangle, cymbals, cowbells, and cabasa providing the accompaniment. The timbales present a 16 bar theme which is then varied and developed.
Septet features a soloist part for bongos and timbales with roto-tom, triangle, cymbals, cowbells, and cabasa providing the accompaniment. The timbales present a 16 bar theme which is then varied and developed.
Serenade is in six movements with contrasting styles.
Serenade is in six movements with contrasting styles.
Composed for flautist Kim McCormick and the University of South Florida Percussion Ensemble.
Composed for flautist Kim McCormick and the University of South Florida Percussion Ensemble.
The Sharpend Stick is a Native American war song and dance that is in the “fish-step” style. It is said that the popular 1920’s dance craze the “Charleston” was derived from this dance.
The Sharpend Stick is a Native American war song and dance that is in the “fish-step” style. It is said that the popular 1920’s dance craze the “Charleston” was derived from this dance.
This work was designed to provide playing and reading experience by integrating mallets and auxiliary percussion in a fun, yet practical manner. From drum cadences to crystalline textures and engaging melodies, Six Miniatures for Percussion Ensemble provides both students and audiences with short, colorful pieces.
This work was designed to provide playing and reading experience by integrating mallets and auxiliary percussion in a fun, yet practical manner. From drum cadences to crystalline textures and engaging melodies, Six Miniatures for Percussion Ensemble provides both students and audiences with short, colorful pieces.
An exciting new piece from award-winning composer Lynn Glassock! For 10 percussionists, the piece requires 2 vibraphones, 4 marimbas, a cabasa, woodblock/cowbell, tambourine, guiro, small and large gongs, temple blocks, bowed crotale, and flexatone. Special effects include drumming with fingers and using rattan on the side of a marimba.
An exciting new piece from award-winning composer Lynn Glassock! For 10 percussionists, the piece requires 2 vibraphones, 4 marimbas, a cabasa, woodblock/cowbell, tambourine, guiro, small and large gongs, temple blocks, bowed crotale, and flexatone. Special effects include drumming with fingers and using rattan on the side of a marimba.
A mallet quartet for two vibraphones and two marimbas (can be performed on 4 1/3 oct. instruments). A perfect compliment to any chamber recital or percussion ensemble program. Duration: 8 minutes.
A mallet quartet for two vibraphones and two marimbas (can be performed on 4 1/3 oct. instruments). A perfect compliment to any chamber recital or percussion ensemble program. Duration: 8 minutes.
1st place winner in the 1994 PAS Composition Contest! This rhythmically exciting piece for 4 players has it all.
1st place winner in the 1994 PAS Composition Contest! This rhythmically exciting piece for 4 players has it all.
Thais is a family of seashells having simple shapes and curves, The composer describes the piece as a sort of “Swiss cheese counterpoint” in simple strophic form.
Thais is a family of seashells having simple shapes and curves, The composer describes the piece as a sort of “Swiss cheese counterpoint” in simple strophic form.
Three spectacular compositions arranged for Marimba, Bass, and Drums. Save $15 by purchasing Art Song, Attendance to Ritual, and Mozambique all together!
Three spectacular compositions arranged for Marimba, Bass, and Drums. Save $15 by purchasing Art Song, Attendance to Ritual, and Mozambique all together!
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.
Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
