Chamber/Ensemble

Crossings

$25.00

Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.

Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.

Cryin Time

$33.00$39.00

(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes

(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes

Different But One Body

$38.00

For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.

For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.

Dining Room Music

$15.00

Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….

Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….

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