Showing 33–48 of 62 results
Showing 33–48 of 62 results
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for Vibes and Marimba)
This composition was the winner of the PAS mallet duo composition contest. Considering the dozens and dozens of entries, that is a strong endorsement. It is fairly easy to prepare for intermediate vibes and marimba players, but it comes off to the audience as more than the sum of its parts.
(for Vibes and Marimba)
This composition was the winner of the PAS mallet duo composition contest. Considering the dozens and dozens of entries, that is a strong endorsement. It is fairly easy to prepare for intermediate vibes and marimba players, but it comes off to the audience as more than the sum of its parts.
In this three-movement duet for flute and marimba, the two instruments weave a tapestry of many textures. The marimba part does not require any involved techniques and can be performed on a 4.6 marimba.
In this three-movement duet for flute and marimba, the two instruments weave a tapestry of many textures. The marimba part does not require any involved techniques and can be performed on a 4.6 marimba.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
The Rivers Music School in Boston commissioned this piece for the 22nd Annual Seminar on Contemporary Music for the Young. It was composed with an advanced young player in mind, but is musically sophisticated enough to be performed by college level players also.
The Rivers Music School in Boston commissioned this piece for the 22nd Annual Seminar on Contemporary Music for the Young. It was composed with an advanced young player in mind, but is musically sophisticated enough to be performed by college level players also.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.
This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
