Marimba

Afwa Yuovu

$20.00

With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).

With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).

Capriccio for Tuba and Marimba

$25.00$29.00

Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.

Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.

Earth Tones

$32.00

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Echoes No. 1 for Marimba and Delay

$12.00

Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.

Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.

For The Gap

$17.00

This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug

This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug

Impromptu

$8.00

A variety of textures, including four-mallet chorales, single line melody, and even minimalism are present in this work for four mallets. The mature player will be able to musically connect the contrasting sections, to form an exciting recital piece. A 4.3 marimba is required.

A variety of textures, including four-mallet chorales, single line melody, and even minimalism are present in this work for four mallets. The mature player will be able to musically connect the contrasting sections, to form an exciting recital piece. A 4.3 marimba is required.

looking at ‘r’

$25.00

A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.

A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.

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