Showing 225–240 of 380 results
Showing 225–240 of 380 results
Requiring a minimum of eight marimbas, this work would be a great selection for any collegiate ensemble that has enough instruments!- Darin Olson, Percussive Notes
Requiring a minimum of eight marimbas, this work would be a great selection for any collegiate ensemble that has enough instruments!- Darin Olson, Percussive Notes
The most virtuosic of Bobo’s published compositions to date.
The most virtuosic of Bobo’s published compositions to date.
Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.
Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.
A much anticipated, “In Your Face” piece for the marimbist in need of new rep. Strong technique, ability to execute independent rolls, and a 5.0 octave instrument required.
A much anticipated, “In Your Face” piece for the marimbist in need of new rep. Strong technique, ability to execute independent rolls, and a 5.0 octave instrument required.
A collection of 10 terrific pieces for four-mallet marimba ranging in difficulty from intermediate to advanced. They are between 2 and 6 minutes each and are based on very specific musical ideas, not specific techniques.
A collection of 10 terrific pieces for four-mallet marimba ranging in difficulty from intermediate to advanced. They are between 2 and 6 minutes each and are based on very specific musical ideas, not specific techniques.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes
A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Rhythmically and harmonically engaging. The harmonic structure has its roots in the music of the rock group Deep Purple. Can be performed on a 4.3.
Rhythmically and harmonically engaging. The harmonic structure has its roots in the music of the rock group Deep Purple. Can be performed on a 4.3.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.
Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.
An interesting four-mallet study/concert work that begins with a simple statement of the passacaglia theme in octaves and builds in rhythmic and harmonic complexity to four mallet figuration as it progresses through its variations.
An interesting four-mallet study/concert work that begins with a simple statement of the passacaglia theme in octaves and builds in rhythmic and harmonic complexity to four mallet figuration as it progresses through its variations.
